What does a Gal like you do on a normal day “at work”?
My days can really change
from day to day! So really in one day I
could do any number of the following things....
work on texture samples,
develop designs on paper and with fabric, pattern make, sew, make headdresses,
research new costumes, sketch, shop online and in town for products, have
fittings, source items for photo shoots, meet with photographers makeup artists
models and more!
If I'm working on a film
job, I will be at the film studio or workshop all day. Sometimes I will just be working in a
production line making components for costumes, and other times developing
ideas with the team, researching, figuring out how to make something work that
has come from the design team.
When I work at Weta I could be working with anything from silk, to armour, to foam latex creature suits!
When I work at Weta I could be working with anything from silk, to armour, to foam latex creature suits!
How did you get into the
industry and what made you decide this is what you wanted to make a living out
of?
I was a young teenager
when I realised there was such a thing as costume design, and that fashion
wasn't really the thing for me. And so
from then on, costuming has been my focus!
So often the way to get
jobs in the industry is about who you know.
So a lot of energy often gets put into networking and trying to meet
people and get your name out there. It can sometimes take years before you will
get called regularly for work. But
others can hit the jackpot without much work, just by being in the right place
at the right time.
I just kept putting
myself out there and met a lot of people in the industry and the work starting
to come in.
It's often a struggle,
with work being off and on as jobs come and go, but it's what I love to do, and
I've really never done anything else.
It's what I'm passionate about and yes I have moments of “what am I
doing?” but then I work on something wonderful and remember why I love doing
what I do. It can be incredibly
rewarding when you get to see your work on a character or client, and you see
the way it can affect them positively and develop their character's personality
or performance. It's that kind of thing
that really keeps you wanting more.
What tips would you give
new others who might be interested in a similar career?
Network. Be confident but not pushy. Respect your peers and you will learn a lot
from them. Work hard towards what you
want to achieve. Know that you don't
have to be good at everything, and maybe focus on what you love and are good
at. Always remember there is more to learn.
If it's a nightmare of a job, remember it's only a film/show/act and it
will be over soon. Don't spread yourself
too thin, and learn to delegate where you can.
Know your limits. Research and
keep an eye on what's going on out there to keep inspired and up with the
play. If you get turned down for a job,
remember there are more out there and keep trying, that one wasn't for you
because there's something else out there waiting for you! Enjoy what you do!
When did you discover there was life outside the corporate 9-5
Office grind? Was there a specific event
or epiphany that brought that about?
I guess
it more a case of, I didn't even think about the corporate grind. I have never been a part of it. And sometimes when I've been working 16+hr
days on a costume job, for weeks on end, I almost forget there is another world
outside of the workroom!
Have you ever struggled to get what you do at work or out of
work taken seriously?
I have
had a lot of people not understand what it is I do. They think I just gallivant around with the
stars and looking at pretty fabrics, drinking coffee. It's a very hard job at times, working very
long hours, meeting clients' needs and trying to keep enough work coming in. Even work peers in different areas can really
have a misconception of costuming, sometimes coming across that they think
they're much more of a professional. It
can be a real struggle to remind people that it takes a lot of years of
experience to be able to achieve the results required.
It also
happens that sometimes potential clients really don't understand why it costs
hundreds of dollars for a made to measure corset, for example, compared to
buying a cheap and nasty factory made one.
There can be a general lack of understanding around what it actually
takes to design, pattern make, fit, construct, dye, embellish and finish a
costume. That's a lot of hours of
work! Even preparing quotes and meeting
with clients is actually a time consuming part of the job, not just funsies to
sit around and talk about pretty things!
It's all work, and often hard work!
People can forget that and be very blase about your time, leaving you hanging
around when they are a no-show to a booked appointment.
There
is a lot of work that I do “behind the scenes” to get a costume to a level
where it is ready to present or shoot.
Even styling a photo shoot isn't as simple as just turning up and
dressing someone in a costume. It can
take days to source complementary pieces of clothing for the model/s and extras
(if there are any), make accessories, find props, meet with makeup artists to
discuss the look and so much more. There
is so much involved in creating the layers that make up a final image. You may not notice all the details at first
glance, but if they weren't there, the picture would look a little bare. It takes hard work, practice and a good eye
to really make it happen.
Your work is very specialized – is this something you’ve learned
in an education system or did you fall into it?
I grew
up in a creative family and was taught how to sew and many other creative
procecsses by my Mother, Grandmothers and Aunty. I have always been creative and into crafts
and making garments, so I have also taught myself a lot by trial and error,
research and also learned from my peers.
I have
studied a few papers at fashion school, which have been helpful, but really the
most I have learned has been self taught and learning on the job. Gaining skills taught by my colleagues and a
whole lot of having to figuring out how to do something and make it work.
What effect has the Internet had on the way that you work?
What effect has the Internet had on the way that you work?
The
internet has become a fantastic way for me to research for designs, learn about
and purchase new and hard to find products, connect with other costumiers and
corset makers out there and so much more!
It really is an invaluable tool for me every day! A little addictive and distracting at times,
but I would find it hard to be without it now!
What is the biggest, most exciting project you’ve worked on /
are most proud of?
To be
honest, I think I am lucky in that so many projects that comes along seem to be
the next greatest thing I get to do! I
have great clients that come to me with wonderful ideas that they want me to
develop which is so exciting! Every
project seems to bring new challenges, new colour combination and fun
experiences with new people and old friends!
It can vary so much, especially working between the film world and one
on one with clients, it's all fulfilling in different ways.
One of
my favourite pieces I've created purely for the sake of making something I want
to, is my 2006 WOW entry, She Looks Good in a Sack.
Have you got anything exciting in the pipeline that you would
like to share with us?
I have
many designs that I want to start working on in the coming months.... a couple
of clients that have elaborate costumes they want me to design for their
performances, as well as a few of my own more costume art pieces that I've been
wanting to get out of my system! Lots of
texture, layering and embellishments!
Yum!!! And then I have a bunch of
photographers I want to work with and develop some new shoots! Exciting!
You can follow Cathy and all her amazing creations here:https://twitter.com/CathyTreeHarris
http://instagram.com/cathytree
http://cathytreeharris.com/
https://www.facebook.com/cathytreecostumier
http://pinterest.com/cathytree/
You can follow Cathy and all her amazing creations here:https://twitter.com/CathyTreeHarris
http://instagram.com/cathytree
http://cathytreeharris.com/
https://www.facebook.com/cathytreecostumier
http://pinterest.com/cathytree/











